韩国MBC电视台试播节目《奇怪国家的儿媳们》近日被确定为了正式节目。本月3日结束试播的《奇怪国家的儿媳们》以韩国的儿媳们在各自的家庭所面临的问…

网络系列《一个国家的觉悟：札连瓦拉园》，以猎人委员会虚构成员坎蒂尔·萨尼（Kantil Sahni）的视角，探寻札连瓦拉园大屠杀背后的矛盾冲突与触发因素。

DJ Spooky's "Rebirth of a Nation" is a film project based on a remix of D.W. Griffith's infamous 1915 film "Birth of a Nation." The original film was based on a novel and theater play by Thomas Dixon entitled "The Clansman" -- essentially what DJ Spooky is doing is applying DJ technique to cinema in a way that parallels, deconstructs and remixes the original. Thus "Rebirth of a Nation." DJ Spooky's "Rebirth of a Nation" has been touring for several years and has drawn acclaim around the world. From the Herod Atticus Theater at the base of the Acropolis in Greece, to the London IMAX - Europe's largest movie screen -- DJ Spooky has presented the remix as an engagement with film, music, and contemporary art. He likes to think of it as "film as found object" in the same sense that artists such as Marcel Duchamp, Jeff Koons, Andy Warhol, and David Hammons, amongst many others, have fostered creative investigations into the idea of found objects, cinema, and "appropriation art." 　　http://www.rebirthofanation.com/ 　　“Silent film scores were grandiloquent, meant to heighten what we saw on screen. Mr. Miller's score, by contrast, deflects our responses, then alters them. A hip-hop drum beat pulses. (It sounds African and urban American.) A wash of industrial sound is joined by bells and cymbals; a dissonant violin; blues fragments. These are the sounds of history and racial complexity that Griffith tried to suppress. ” 　　– Margo Jefferson, New York Times, July 8, 2005

《一个国家的觉悟：札连瓦拉园》是一个网络系列，通过猎人委员会虚构成员Kantil Sahni的眼睛探索札连瓦拉园大屠杀背后的摩擦和触发因素。

丰田拥有遍布世界26个国家的51家工厂，利润达两兆日元，汽车年产量900万台，赶超美国通用实现全球第一的目标指日可待。但随着全球生产网点的扩展，新的问题层出不穷。为融入当地环境，丰田最大程度地雇佣当地人，但让缺乏经验的人从事制造谈何容易。日本的熟练技术指导者已远远不足，在泰国丰田开始尝试不派日本人，依靠外籍技术员传授员工技能的尝试。丰田正在世界各地将独有的制造理念增值并不断扩大。我们关注着丰田历经磨练积蓄成为世界第一的能量，如何克服全球性企业所面临的难题。

一对年轻夫妇十分甜蜜，在筹备婚礼的过程中，女主却又和前男友旧情复燃，孰是孰非，谁去谁留，一切变得如此复杂，隔阂也在慢慢蔓延。

遥か昔から、５つの柱石により外敵から護られてきた日本。 　　柱石を護る術者の分家に生まれた一瀬華（いちせ・はな）は、幼いころから優秀な双子の姉と比べられ、虐げられ続けてきた。 　　ある日突然、華は強大な力に目覚めるも、平穏な生活を望んで力を隠し、落ちこぼれ術者として暮らしていく。 　　しかし、本家の若き当主である、一ノ宮朔（いちのみや・さく）にその力を見抜かれ、強引に結婚を迫られてしまい——？ 　　華は望んでいた静かな暮らしを手に入れることができるのか。 　　これは、見捨てられた少女が本当の自分らしく生きるための、はじまりの物語。

遥か昔から、５つの柱石により外敵から護られてきた日本。 　　柱石を護る術者の分家に生まれた一瀬華（いちせ・はな）は、幼いころから優秀な双子の姉と比べられ、虐げられ続けてきた。 　　ある日突然、華は強大な力に目覚めるも、平穏な生活を望んで力を隠し、落ちこぼれ術者として暮らしていく。 　　しかし、本家の若き当主である、一ノ宮朔（いちのみや・さく）にその力を見抜かれ、強引に結婚を迫られてしまい——？ 　　華は望んでいた静かな暮らしを手に入れることができるのか。 　　これは、見捨てられた少女が本当の自分らしく生きるための、はじまりの物語。

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. 　　As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. 　　This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. 　　EPISODE ONE: 　　The first episode will be about how the art of Renaissance Flanders evolved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. 　　EPISODE TWO: 　　In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. 　　EPISODE THREE: 　　Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. 　　As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. 　　This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. 　　EPISODE ONE: 　　The first episode will be about how the art of Renaissance Flanders evolved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. 　　EPISODE TWO: 　　In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. 　　EPISODE THREE: 　　Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.